My short reflective essay on last year's visit to Culloden is in the new Northwords Now and can be read
here. It's my first tentative step into non-poetry writing and was a pleasure to write - a descriptive piece closely related to writing poems but communicating something that I couldn't get across in a poem.
I think I'll be writing more pieces like this alongside my poems - in fact I've already begun another
about my visit to the Mary Stuart's chambers in Holyrood Palace last week - an immensely moving place to visit (the chambers specifically, not the palace!). I wish I could have shut out all the other tourists and had the rooms to myself for a while.
So
Madame Ecosse is forthcoming February '17 - last week I reordered the entire collection. Originally it was going to be in three sections but the selecting of poems for the first two sections seemed arbitrary with a number of poems, so then I put the collection into two sections - Garden Songs and The Birth Files - but even these sections niggled away at me.
I noticed with
Tree Language (which was in three sections) that reviewers would quite happily ignore an entire section in reviewing the book. I guess I wouldn't like The Birth Files poems to be ignored - they are on a tricky subject after all - and I'm suspicious that relegating them to a section at the end of the book would cause them to be easily ignored.
I'm not entirely sure the new order is the finalised deal - I'll need a couple of weeks before I can objectively look at it again.
Like everything else - no readings for ages then they all come at once!
I'll be reading alongside J.O. Morgan, Vicki Husband and Em Strang at -
St Mungo's Mirrorball Showcase 5
Thursday 27th October
CCA Clubroom, Glasgow, 7pm
I'll also be reading at the third Dunoon Book Festival alongside Tariq Latif -
30th October 12.30 pm
Dunoon's Victorian Pier Building
I recently ordered
The Literary Impact of The Golden Bough by John B. Vickery - a second-hand ex-uni library book that has clearly never been opened. It looks specifically at the influence of
The Golden Bough on Yeats, T.S. Eliot and Lawrence. I can't wait until January when I can really get into my study of
The Golden Bough and work out what kind of poem(s) I'm going to feed it all into.