I've booked my tickets for StAnza 2012 and I'm gutted at the dates of the John Burnside and Kathleen Jamie readings because I can't make either of them. However I've bought tickets for the Bernard O'Donoghue and Tony Curtis reading, the Chase Twichell and Lavinia Greenlaw reading both on the Friday. On the Saturday I've booked tickets for the Poetry Breakfast event with Robert Crawford, Norman McBeath, Lavinia Greenlaw and Michael Symmons on images and imagery, and the Happenstance Showcase event with Niall Campbell, Richie McCaffery and Theresa Muñoz.
I'm only staying at St. Andrews for the Friday night this year, it'd be nice to see a friendly face if anyone reading this is going!!

Help, Please, Anyone?

I'm thinking of organising a poetry reading locally and as I've never organised one before I'll take all the advice I can get!!

A Clash of Voices

"She writes of both people and sights that enthral us in islands...She writes of all of these characters with a wonderful tenderness and lightness of touch, seeing in a new and fresh way these images from our shared past"

I'm delighted that Donald S Murray, author of short story collections, poetry collections and non-fiction books, has written an excellent half-page review of Vintage Sea for 'Events', a monthly newspaper for Lewis and Harris.
In the last year I've written two poems inspired by Donald's excellent book The Guga Hunters, so being a fan of his writing I'm really excited about this review!

In the review Donald raises an interesting point about the high number of island poets and the linguistic tensions faced by island communities. I was brought up by a Gaelic-speaking mother (she could speak English too!) and an English-speaking father, Donald himself told me that his father was Gaelic-speaking and his mother was not. Donald says of his writing -

"I am very conscious that, just like Marion, while the words might be English, their underlying rhythms and concerns often belong to my other tongue. It is, in fact, a Gaelic way of thought that allows my English to be (I hope!) distinctive and fresh, enabling me, too, to present a world-view that is different from other writers".

Donald notes that both Norman MacCaig and George Mackay Brown, two of Scotland's greatest writers in English in the twentieth century, shared a similar divide to ours in terms of mixed-linguistic family history.

In an email to Donald I had explained the role of the Gaelic language in my background:

In my own experience Gaelic is a huge part of my background, as a child I spent every summer between Back and Barvas and by the end of every summer I could largely understand general conversations. With having been brought up by a Gaelic-speaking mother, Gaelic words were part of my everyday speech, in fact I remember thinking some Gaelic words were actually English! Yet, because I've never actually learned the language it's always had a sense of mystery about it, always just beyond my grasp. In saying that, it seems to me that there is a comfortable symbiotic kind of relationship between Gaelic and English though perhaps that only exists now for the older generations.

I hadn't actively thought on the effect of the Gaelic language on my writing, mainly because I don't write in Gaelic, so this has been very interesting to me.

"[R]ooted in the landscape and experience of Scotland. The poems are full of imagery and characters who remain almost at the edge of vision, not explained, just there"

Thanks to Juliet Wilson for her kind words about Vintage Sea on her blog here. Interesting that she assumed my poem We Met by a Charm of Crossbills recorded an actual experience of mine, not sure how she feels about the poem since I confessed I'd never seen a crossbill in my life!

Books!

Ahh it's all over!!!

I've had a lovely Christmas, played lots of lego - highly addictive you should know! Barely been on the computer, not even facebook though I did finally join twitter but I've yet to get into tweeting.

First book on the list is The Etymologicon by Mark Forsyth. Reading this book has been pure joy and I thoroughly recommend it to everyone! 

Did you know that the term SPAM, in reference to unwanted emails, originates from a Monty Python sketch? Now you see why you must get this book!!!

I also bought a couple of Calderwood press titles - The Heavy Bag by Ross Wilson and Out of the Cave by Alistair Noon, both of which I know I'm really going to enjoy. I also finally ordered By Grand Central Station I Sat Down and Wept by Elizabeth Smart and Jim was lovely enough to send me a copy of his third novel, Milligan and Murphy. I wrote a little about his first novel, Living with the Truth, way back here.  I'm still waiting on African Folktales by Paul Radin to come in. I'm really looking forward to reading it, it's a book that very much influenced Plath's poetry for a period.

Birthdays, anniversaries, shopping, wrapping, baking, nativity plays, parties... it sure is a busy time!
So here's a wee Merry Christmas to you all and a seasonal excerpt from my favourite poetry collection purchase of 2011, Ashes for Breakfast by Durs Grünbein.

From 'Greetings From Oblivion City' -

"My friends, it is winter here, a pleasant 70 in the shade.
A wind blows off the coastal hills, ruffling
The hair dryer that sits atop the city like a yellow smog.
Sometimes you can see miles into the distance, which

Diminishes the belief in an otherworld. If the hereafter is here,
Then everyone can melt away into thin air.
You encounter the one season spread over four quarters.
Scanning the horizon, you are surprised to see no rainbow.

By January, at the latest, the least observant of observers
Will have noticed that the trees are evergreen here in Eden. Turn
over:
Show your best side, among all these hot grilles.
You won't escape it, life in a solarium."

Thanks to Andrew McCallum Crawford for showcasing my poem 'The Rest and Be Thankful' on his Wee Fictions blog here. It was one of the first poems I ever had published so even though it's not in my pamphlet it has a special place in my heart!

The Rest, as it's known locally, was originally an old Drover road and an old military road through the Arrochar Alps. When the ferries are off it's our long route round to Glasgow. On a nice day it's a beautiful drive, on a day like yesterday you can see what it's like here, sixth picture down.

'So we found the end of our journey, So we stood alive in the river of light, Among the creatures of light, creatures of light.' - Ted Hughes

The ceremony to memorialise Ted Hughes in Poets Corner in Westminster Abbey took place on Tuesday. His plaque lies below T.S. Eliot's and alongsideTennyson's. In celebration I've started re-reading 'Epic Poise: A Celebration of Ted Hughes', edited by Nick Gammage, a wonderful collection of essays on the life and work of Hughes by a variety of contributors including Seamus Heaney, Blake Morrison, Andrew Motion, W.S. Mervin, Peter Redgrove and Kathleen Raine. You can see some news coverage of the ceremony here.

I guess reviews are like buses...! Yes! Another Vintage Sea review!

"Marion can write simple lines very well...on the other hand she has a kind of mystical side that stops the work being too mundane"

"Marion has the voice that some poets look for and never find or hear"

Thanks to Rachel for the lovely review on her blog alongside reviews of the very talented JoAnne McKay's Grave with Lights and fellow Calder Wood Press poet, Ross Wilson's, recently published collection The Heavy Bag. Rachel's market research reviewing style is a little bit different to the usual which makes it all the more interesting to read, which you can do - here!

Other good news this week - six poems accepted for the next issue of Shadowtrain!

"McCready has the uncanny ability to imbue even the most mundane, common place things with mystical properties"

"This is nature turned mythical and extraordinary, there is an acute awareness of life-cycles, weather patterns and things coming to some kind of fruition or ending. And through it all there is a deep running smouldering sensuality, a delight in the beauty and unpredictability of nature and a sense of place and of rootedness"

"McCready brings a heightened awareness to her subjects that make her poems a joy to read"

Thanks to Julia Webb and Ink, Sweat & Tears for this wonderful review of Vintage Sea which you can read here. I'm over the moon with it!!!

The influence of Roethke on Plath's poetry is no secret, however in an essay by Roger Elkin, 'Hidden Influences in the Poetry of Ted Hughes and Sylvia Plath', Elkin explores the idea that Roethke's poetry and creative theories greatly influenced Hughes also.
It's a fascinating essay detailing not only the similar themes and techniques such as animism and minimism and use of Jungian symbolism in the poetry of all three but also the role/purpose of poetry to tap into and explore the primitive, pre-conscious thus universal self. He obviously analyses Plath's 'Poem for a Birthday' but also thoroughly analyses Hughes' 'Wodwo' in the light of Roethke. You can find the essay here.

Another Brenhilda / Sula Sgeir poem

second draft

(poem removed)

Thanks to those who reminded me about this - The Baker Prize 2011 - a new annual writing competition organised by The Skye Literary Salon and The Isle of Skye Baking Company. There are categories for Gaelic poetry, Gaelic short story/script/prose, English short story/ script/ prose and English poetry. And it's free to enter!
The closing date is Nov 24th so get your entries in quick, I had better get my thinking cap on!

Calder Wood Press are having an end of year party combined with the launch of Ross Wilson's first collection, The Heavy Bag.Unfortunately I can't make it due to travel problems and childcare but it looks like it'll be a great night so if you're in the area it will be held at the Canon's Gait Cellar Bar, High Street, Edinburgh, Monday 5th December, 8pm. Free buffet included!

A few short poems I've been working on this morning

(poems removed)

I've just noticed that Kathleen Jamie is reading at StAnza 2012! I'm really excited about this, she's one of my favourite Scottish poets and she reads her poems wonderfully. You can hear her read some of her poems on the Poetry Archive website here.  The full list of participants is available here and looks like it'll be a great festival one again. Just from scanning the list I'm interested in hearing Niall Campbell and Richie McCaffery, a couple of young Scotland-based poets whose poems I've been impressed by when I've come across them in mags. I'd also like to get a chance to hear Michael Symmons Roberts, Robert Crawford and Simon Barraclough. I see Alistair Cook, an Edinburgh-based photographer who also creates wonderful short films to accompany poems, will be there. I can't wait!

The other day I was delighted to receive through the post a gorgeous new collection of poems by Morgan Downie interlaced with just as gorgeous photographs by the very talented Roxana Gita who also provides Romanian translations of Downie's poems. I'll be reviewing it on the blog sometime soon.

A short poem

First draft


The Fire-leaves of Autumn

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There's a nice wee write-up about my poem 'The Kitten and the Brick-layers Cap' which appears in the pamphlet anthology of poems ‘Starry Rhymes: 85 Years of Allen Ginsberg’ (edited by Claire Askew and Stephen Welsh) on the Sabotage Reviews website here.

Thanks to Rachel for  this link to the Guardian for tips for writing by a great range of  authors, one I like so far:

"You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there's no free lunch. Writing is work. It's also gambling. You don't get a pension plan. Other people can help you a bit, but ­essentially you're on your own. ­Nobody is making you do this: you chose it, so don't whine." Margaret Atwood

Nothing to do with poetry but...

...my husband is playing a starring role in the manhunt for James May across Dartmoor which will be shown tonight (Tuesday) on BBC2 at 8pm as the first episode of the new series of Man Lab! So if you happen so catch it, my better half is the one sporting the combats!!

out in the cold

For some unbeknown reason Facebook has currently suspended my account! So until it's been sorted out I might even get a few poems written!

I've been on a bit of a non-poetry reading frenzy lately which began with the following three Plath books I was sent: Bitter Fame by Anne Stevenson, The Haunting of Sylvia Plath by Jacqueline Rose and The Silent Woman by Janet Malcolm. The most interesting, for me, was the Rose book. There was much more of a focus on Plath's poems in it including some stuff I hadn't previously read much about such as the possible influence of cinema films on Plath's work, more on the influence of African folklore, and a rather extensive almost Freudian-like emphasis on sexuality in the interpretation of many Plath's poems. The infamous Bitter Fame was a pretty dull read and the Malcolm book offered an interesting perspective on the history and difficulties facing Plath biographiers.

After the Plath triad, I then became thoroughly engrossed in reading a biography of the Scottish psychiatrist R.D. Laing. R.D. Laing: A Divided Self by John Clay is an absolutely fascinating read. Laing was a forward thinker in his time and helped lead the way to modern thinking about mental illness, schizophrenia in particular, and therefore how it should be treated. Laing's psychiatry and writings were heavily influenced by existentiallism, at the height of his career he was a great success but on a personal level he was unpredictable and completely off-the-wall to put it mildly. A quote from wiki: "Many former colleagues regarded him as a brilliant mind gone wrong but there were some who thought Laing was somewhat psychotic".

You can read more about him on Jim's blog here.

Now I'm onto Freud's The Interpretation of Dreams. I'm only a few chapters in but it's fascinating reading Freud's hypothesis that all dreams are a form of wish-fulfillment which is backed up by detailed analysis of several of his own dreams, dreams of some of his patients and even dreams by some of his children. Even from a sociological perspective alone it is deeply interesting to see what people were dreaming about over a century ago!

draft poem

I'm not sure why writing poetry should be such a cathartic experience but sometimes just the effort of having cobbled some words together on-screen can be an amazing pick-me-up!

What a happy coincidence: to be reading Tomas Transtromer the week it is announced that he has won the Nobel Prize for Literature. If you didn't know much about him before there's now no shortage of articles on him and his poetry popping up all over the place.

First draft

Like the Sklif of a Daylight Moon

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