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I've been thinking over why I like writing sequences so much and feel it's very much to do with the fact that sequences give me the sense of freedom and space to explore my subject in a variety of ways that are all interconnected but coming from different angles.
My current ambition is to bring together the symbolism and otherworldliness of Brigit Pegeen Kelly, the control and candor of Durs Grunbein, the playfulness of Theodore Roethke and the clarity and insight of Tomas Transtromer, all clothed in my own voice. A tall order to say the least... but what's the point if you don't aim high?
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